I’m Robin, Editor of Misstropolis.
I hope this site brings you some joy and some knowledge (or at least a nice distraction) during this surreal, enlightening and historic time.
I like to write about art, style and purpose. If you have ideas for stories or would like to contribute, I’d love to hear from you.
Thanks for reading!
Misstropolis
Spirit & Style, Inside & Out
All in ART
Sand T Kalloch utilizes expressive materials, a disciplined vocabulary of line, point, surface and color and repetitive motion to create her mesmerizing, energetic canvases. But her greatest resource of all might be the element of surprise - that and her willingness to embrace it.
From Tel Aviv to New York, Bucharest to Rotterdam, a cadre of rockstar, multi-hyphenate artists are working in the space between fine art and interior design, creating sculptural lighting inspired by nature. Abstract yet familiar, technically advanced yet always handcrafted, the work of these female artists bring the joys of natural light inside.
In her huge body of work, Walker confronts the way culturally constructed myths deliberately whitewash historical truths and reframe events to benefit existing power structures. She shocks, prods, explodes, confronts and challenges.
Kara Walker’s work helps me see history as a swirling, unfurling, voracious cacophony rather than one long, drawn out note.
Sculptor Karen LaMonte gives shape and weight to subjects as amorphous as female identity and stratospheric phenomenon. With her cloud sculptures cast in marble and iron, she brings the consequential weight of climate change down to earth with a unique, material honesty.
But manifesting the weather is not the most complicated thing the Prague-based, multidisciplinary artist has done. She did something even more complex during COVID, which she hopes will be a model other artists can follow. She made her international artistic practice carbon negative.
Happy Earth Day, 2021.
At the Institute of Contemporary Art / Boston, Eva LeWitt’s Untitled (Mesh Circles)’ bold simplicity, grand scale and sultry, unexpected colors announce to the city that beauty is back and everyone is welcome.
Valentines Day is as good an excuse as any to binge on love-inspired art. This year for Valentines Day, give yourself the gift of enjoying some passionate, obsessive, transporting, heady, gorgeous and sexy works of art that make you feel something or learn something or do something that may come close to love.
The optimistic paintings of Madrid-based artist Eva Navarro portray a color packed landscape of common experience through resilience, solitude and sunlight.
If you go, you may never want to leave. Welcome to Campo, the innovative Creative Arts Institute in tucked away Garzón, Uruguay. Founder Heidi Lender has built a haven for connection, quiet and creativity, drawing artists and art enthusiasts from all over the world. Campo’s Artfest takes place December 28, 29. it just might be the answer to how to exit 2020 and start all over again.
She’s speaking. Simone Leigh will be the first black woman ever to represent the United States at the Venice Biennale in 2022. In collaboration with the ICA Boston who commissioned and will organize the show Leigh will bring her powerful unapologetic voice to issues of authorship, agency and understanding America through a black female lens.
The explosion in the port area of Beirut reduced much of photographer Rania Matar’s birthplace to rubble. True to her activist nature, she responded with a collaborative campaign, raising thousands for reconstruction and boosting awareness for crisis-fatigued Americans.
Sarah Dinnick’s mesmerizing photographs transport us from isolation to understanding, connection and empathy. With an intense respect for her remote subjects, she shows how intimately we are, through our experiences, connected.
Millennials have a native trust in technology, writes Grace Kenney, a recent college grad. Contemplating the meaning of her art history degree in light of new challenges to art institutions, hierarchies and traditions, she explores the role technology might play moving forward and the benefits that she believes will impact a wider, more diverse audience.
The first in a new series on Visionaries, Bridgitt Evans of VIA Art Fund demonstrates what compassionate engagement and direct action look like in this fragile moment. “I know, right now, in every town in America, artists are putting their minds, hands, bodies and voices to work to communicate our fears, heartbreak and rage.”
Coastal narratives and migratory consequences power the forward momentum of Boston based artist Evelyn Rydz’s extraordinary body of work.
